BEVAR 1000FRYD! (ENGLISH BELOW)

Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.

Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.

Vi har en underskriftskampagne her - https://www.skrivunder.net/bevar_1000fryd

SAVE 1000FRYD!

We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.

The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.

There is a signature campaign here - https://www.skrivunder.net/bevar_1000fryd

Moments

Throughout the past 40 years, many people have had personal and shared experiences at 1000fryd!

We want to save 1000fryd, because it is full of history and it contributes greatly to the cultural life in Aalborg.

Sunday the 6th of September 2015 / kl 16:00 / GRATIS entre
Sunday Movie Matin�e:
Fear(s) of the Dark

Fear(s) of the Dark is a 2007 French black-and-white animated horror anthology film on the subject of fear written and directed by several notable comic book creators and graphic designers.

It is a wildly inventive and visually dazzling collection of fearful tales by six of the world�s most renowned comic and graphic artists - Blutch, Charles Burns, Marie Caillou, Pierre Di Sciullo, Lorenzo Mattotti, and Richard McGuire.

Inspired by the creeping shadows that lurk in the darkest depths of each artist's psyche, this monochromatic meditation on the things that make us wake up screaming aims to recreate the atmosphere and mood of an actual nightmare.

Review from Popmatters:

Fear(s) of the Dark should put to rest once and for all any qualms about mixing animation with angst. In fact, with the recent renaissance in CG titles, one could easily see someone like Pixar picking up the bedeviled ball and running with it. Considering their current track record, the possibilities literally boggle the mind.

Still, just because a chosen few can make the concept work does mean it�s a universally applicable standard. Fear(s) of the Dark is special because of its rareness and singularity. Once horror and cartooning establish a norm, we will see what sort of benchmark it truly is/was.