BEVAR 1000FRYD! (ENGLISH BELOW)

Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.

Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.

Vi har en underskriftskampagne her - https://www.skrivunder.net/bevar_1000fryd


SAVE 1000FRYD!

We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.

The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.

There is a signature campaign here - https://www.skrivunder.net/bevar_1000fryd

Moments

Throughout the past 40 years, many people have had personal and shared experiences at 1000fryd!

We want to save 1000fryd, because it is full of history and it contributes greatly to the cultural life in Aalborg.

Wednesday the 3rd of February 2016 / kl 19:00 / GRATIS entre
Documentary Evening:
Thin Blue Line

The Thin Blue Line is a 1988 American documentary film by Errol Morris, depicting the story of Randall Dale Adams, a man convicted and sentenced to life in prison for a murder he did not commit. Adams' case was reviewed and he was released from prison approximately a year after the film's release.

The film was directed by Errol Morris and scored by Philip Glass. Morris was originally going to film a documentary about prosecution psychiatrist, Dr. James Grigson, known as Doctor Death, who testified in more than 100 trials that resulted in death sentences. As an expert psychiatrist, Dr. Grigson made a name for himself by giving testimony in capital cases for the prosecution. Grigson told the jury that Adams would be an ongoing menace if kept alive but Morris, after meeting Adams, became skeptical that he committed the crime.

Production:

The film contained re-enactment scenes built carefully from witnesses' statements, which became common in later documentaries. Although the film recreates several versions of the shooting, it does not recreate one in which David Harris shoots the officer, the interpretation which it argues is true.

The final scene, in which Morris and Harris are only heard, while shots of a tape recorder appear from various angles, was not originally planned. Morris's camera broke down on the day of the interview, forcing Morris to use a tape recorder to document the dialogue.