Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.
Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.
Vi har en underskriftskampagne her - https://www.skrivunder.net/bevar_1000fryd
We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.
The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.
There is a signature campaign here - https://www.skrivunder.net/bevar_1000fryd
Throughout the past 40 years, many people have had personal and shared experiences at 1000fryd!
We want to save 1000fryd, because it is full of history and it contributes greatly to the cultural life in Aalborg.
John Draper, Steve Wozniak and Kevin Mitnick are prominently featured while the film additionally features comments from or else archive footage concerning Denny Teresi, Joybubbles, Mike Gorman, Ron Rosenbaum, Steven Levy, Paul Loser, Lee Felsenstein, Jim Warren, John Markoff, Jay Foster, FBI Special Agent Ken McGuire, Jonathan Littman, Michael Strickland and others.
Plot:
The film starts by reviewing the concept and the early days of phreaking, featuring anecdotes of phreaking experiences (often involving the use of a blue box) recounted by John Draper and Denny Teresi. By way of commentary from Steve Wozniak, the film progresses from phreaking to computer hobbyist hacking (including anecdotal experiences of the Homebrew Computer Club) on to computer security hacking, noting differences between the latter 2 forms of hacking in the process. The featured computer security hacking and social engineering stories and anecdotes predominately concern experiences involving Kevin Mitnick.
The film also deals with how society's (and notably law enforcement's) fear of hacking has increased over time due to media attention of hacking (by way of the film WarGames as well as journalistic reporting on actual hackers) combined with society's further increase in adoption of and subsequent reliance on computing and communication networks.