Tirsdag den 24 juli 2018 / kl 20 00 / entre 50 kroner
Ruiner (USA)
Government Flu (POL)
Jad (POL)
Claymore (local)

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Making their way over to Europe for the first time since their reunion last year. Exclusive Scandinavia show.

Ruiner play an emotional kind of hardcore with a twist of punk rock and indie. The masterpiece "Hell Is Empty" is a definite example of that, making the record a genre classic. Released on Bridge9 Records!

The band broke up in 2010, but now they are back!


A more than welcome return to our humble stage for these cool guys from Poland. Classic punk rock in your face.


A brand new punk band from Poland paying their first visit to Denmark. Punk as it should be.


Legendary local old school punk band. Mixing the best of Sweden with the best of Denmark. Rawpånk! In your face!

Fredag den 3 august 2018 / kl 20 00 / GRATIS entre
Kogekunst (local)
Release Party

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Vi i Kogekunst inviterer alle sjæle indenfor på 1000Fryd til releasefest på vores debutalbum SEXEDE. I anledningen spiller vi en koncert med gæstemusikere. Dvs. nogle af vores dygtige og dejlige venner kommer og krydrer og det bliver derfor ekstra spicy/fucked/lækkert/kom-sammen-agtigt/danskhygge/refugeeswelcomehygge/dansebal/9000spasserrock.

Vi har lavet et album som er både rørende og morsomt. Der er fabelagtige melodier til både sol og regn. Alle numrene har vi gennemarbejdet grundigt, pudset af på landevejen og er nået frem til et resultat, vi er meget stolte af. Sammen med Nils Sloth har vi sørget for, det også er lækkert i øjnene og for 150 danske bobs bliver du indehaver af ”SEXEDE”.

Der er GRATIS entré, GRATIS øl til de første 60 personer som dukker op (eller to til hver, hvis der kommer 30 (u do the math)) GRATIS sved på panden, GRATIS danselektioner og GRATIS ko på is.

Vi håber I har lyst til at fejre udgivelsen med os og kvitterer med GRATIS ubetinget kærlighed!

Hilsen Jeres Kogekunst/Kongeknust/Kokonuts/KoKu/

Tirsdag den 7 august 2018 / kl 21 00 / entre 60 kroner
Origin (USA)
Chronicle (local)

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For 20 years, Origin has engaged a full-blown sensory assault of tight, taut, and technical death metal amplified by flashes of grindcore and groove. However, 2017’s Unparalleled Universe [Nuclear Blast, North America / Agonia Records, Rest of World] sees the quartet—Paul Ryan [guitar, vocals], John Longstreth [drums], Mike Flores [bass, vocals], and Jason Keyser [vocals]—strengthens that blueprint with a handful of surprises…

“It feels like an Origin album, but it’s unparalleled to what you might expect if you haven’t heard us for 10 or 15 years,” says Ryan. “To me, it’s a true reflection of ourselves. I compare it to an action movie. Our earlier material is filled with action from beginning to end. Now, the idea is to add a little more depth and dynamics. You could say there are some twists in the plot musically.”

The band began compiling ideas for what would become Unparalleled Universe while touring in support of their 2014 sixth offering, Omnipresent. Along the way, the record snatched their highest position on the Billboard Heatseekers Chart, bowing in the Top 10. Meanwhile, it garnered acclaim from No Clean Singing and Metalsucks, building on a string of accolades that includes Ryan landing on Decibel’s “Top 20 Death Metal Guitarists of All-Time” list during 2008’s Antithesis, as well as that album’s finite amassing 1.6 million YouTube views, and successful tours with everyone from Hate Eternal and Cryptopsy to Decapitated and Candiria over the years. They’ve also shined on the Summer Slaughter Tour in 2009 & 2014. On the road with Belphegor last year, the members debuted a skeleton of the first single “Accident and Error” in front of packed crowds.

“We would ask the audience to give us title ideas, but we could never discern what they were actually saying” laughs Ryan. “Riffs typically start on tour, and I keep them in my back pocket. That’s the way it is.”

During January 2017, Ryan headed to Chapman Studios in Kansas City, KS to record alongside longtime collaborator and engineer Rob Rebeck [Tech N9ne]. In under a month, they emerged with the ten songs comprising Unparalleled Universe and an expanded sonic palette.

“Invariance Under Transformation” tempers a trudging, doom-y groove with a dark hiss and brutal stomp and the dynamic “Cascading Failures and Diminishing Returns” bludgeons and burns, while “Accident And Error” barrels ahead on a double bass air raid with smart bomb precise sweeping arpeggios.

“There are different parts,” he goes on. “The slower moments feature a couple of classic circle pit speed metal riffs like on ‘Accident and Error.’ Then, ‘Invariance Under Transformation’ is the slowest tempo we’ve ever done. It’s new territory. As musicians, we all appreciate various things, and we’re trying to bring out unpredictable moods. We wanted to stir the pot a little.” The opener “Infinitesimal To The Infinite” gallops forward on a steamrolling rush of riffage as Keyser’s screams take hold. “It retains the original Origin feel,” adds Ryan. “We try to come out of the gate like that.” Rounding out Unparalleled Universe, the group heads south of the border via a murderous and malevolent cover of Brujeria’s “Revolución.”

“One of Brujeria’s albums always gets played on just about every tour we’re on,” he goes on. “The song meant something at the time right now—especially with everything going on politically. We put a lot of effort in to get the pronunciation right. It came out well for a bunch of gringos!” Ultimately, Unparalleled Universe begins another era for Origin. “In the end, we’re still writing death metal songs, but we’re adding new dimensions,” he leaves off. “We’re still Origin.”


Hailing from the northern part of Denmark, Chronicle is the bastard child of old-school thrash metal and Norwegian black metal, with a sprinkling of Finnish melody thrown in for good measure. Technical riffs and lightning fast drums are par for the course, when it comes to Chronicles music

Onsdag den 8 august 2018 / kl 21 00 / GRATIS entre
Aisma (local/international)
Book I

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Lad musik og eventyr føre dig ind i en verden om en pige som lever imellem drømme og virkelighed.

AISMA er et ensemble bestående af internationale musikere fra Letland, Italien og Danmark. Ensemblet vil fremføre en gennemkomponeret suite, baseret på en original fortryllende historie skrevet af pianisten Edgars Cirulis fra Letland. Musikken er livlig og fyldt med farver, pulserende rytmer og melodier.

Ensemblet består af:

Edgars Cirulis - Sangskriver, forfatter, pianist (Letland)

Alise Golovacka - Fløjte (Letland)

Arta J?kabsone - Sanger (Letland)

Svens Vilsons - Guitar (Letland)

Kenneth Dahl Knudsen - Bass (Danmark)

Federico Nelson-Fioravanti - Percussion (Italien)

Matias Fischer-Mogensen - Trommer (Danmark)

Fredag den 10 august 2018 / kl 21 00 / entre 40 kroner
Johk (FR)
Low Relief (FR)

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After a few years driving through Europe’s roads and releasing their third LP, Johk recently flew to Canada and Brazil. In almost ten years, the band evolved from a teenage energetic punk-rock to a darker kind of post-hardcore and screamo through the records. As a guideline, the French lyrics kept describing the (lack of) ways to deal with an inhospitable world nowadays


Low Relief is an emotional hardcore band from Poitiers, France.

The adventure started in June 2016 when Louis and Arthur decided to create a new band together, different from what they used to do. 6 months later, Low Relief was born as a 5 piece band.


In January 2017, they entered the studio to record their debut EP “For Those Who Remain” which was released in summer 2017 on “Culture Famine, Dead Punx Records, Fireflies Fall, One Wild Collective and Sounds Like Cats on vinyl and through Never Trust An Asshole on CD”. This EP deals with social topics and issues, through elements from the members’ personal experiences. You can stream and download it for free here: