BEVAR 1000FRYD! (ENGLISH BELOW)

Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.

Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.

Vi har en underskriftskampagne her - https://www.skrivunder.net/bevar_1000fryd


SAVE 1000FRYD!

We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.

The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.

There is a signature campaign here - https://www.skrivunder.net/bevar_1000fryd

Moments

Throughout the past 40 years, many people have had personal and shared experiences at 1000fryd!

We want to save 1000fryd, because it is full of history and it contributes greatly to the cultural life in Aalborg.

Sunday the 27th of March 2016 / kl 16:00 / GRATIS entre
Sunday Movie Matinée:
Pierrot le Fou

Dissatisfied in marriage and life, Ferdinand (Jean-Paul Belmondo) takes to the road with the babysitter, his ex-lover Marianne Renoir (Anna Karina), and leaves the bourgeoisie behind.

Yet this is no normal road trip: genius auteur Jean-Luc Godard’s tenth feature in six years is a stylish mash-up of consumerist satire, politics, and comic-book aesthetics, as well as a violent, zigzag tale of, as Godard called them, “the last romantic couple.”

With blissful color imagery by cinematographer Raoul Coutard and Belmondo and Karina at their most animated, Pierrot le fou is one of the high points of the French New Wave, and was Godard’s last frolic before he moved ever further into radical cinema.

The Plot:

Ferdinand (Jean-Paul Belmondo) leads a comfortable but boring life amongst the bourgeois elite in Paris. Returning alone one evening from a dull cocktail party, he decides, on the spur of the moment, to leave his wife and children for his babysitter, an ex-girlfriend, Marianne Renoir (Anna Karina). At her apartment they discover a dead body and are forced to go on the run pursued by Algerian gangsters.