Vi har fået påbud fra kommunen om, at vi ikke længere må spille højt til koncerter - i praksis vil vi ikke længere kunne spille livemusik, hvilket er grundlaget for vores driftstøtte og eksistens.
Nabobygningen er opført med utilstrækkelig lydisolering, og under byggeriet advarede vi om, at det kunne føre til problemer, og det er nu gået i opfyldelse.
We have received a request from the municipality, stating that we can no longer play loud music at concerts - this means in practice that we can no longer play livemusic, which is the bedrock of our existence.
The neighboring apartments have bad sound isolation, which is something we warned about, when they constructed it.
As 1000fryd is still facing some issues with the performance of live music in our venue, our lovely friends at Studenterhuset have allowed us to host this one at their place!
With plays on BBC Radio 1, 6Music and KEXP under their belt, and their much-anticipated third album due for release in January, Manchester’s Chemtrails are gearing up for a big year in 2024.
The post-garage-punk and psychedelic power pop anomaly that is Chemtrails started out as the DIY bedroom recording project of romantic partners Mia Lust and Laura Orlova, evolving into a full band in 2016. Their uncanny talent for blasting out weird but irresistibly catchy pop songs was quickly noticed by Swedish label PNKSLM Recordings, who signed them just after their first gig — at Trans Pride Brighton. After relocating from London to Manchester in 2019, Lust and Orlova joined forces with a ferocious new rhythm section, putting the final piece of the puzzle into place.
With Ian Kane on bass and Liam Steers on drums, the Chemtrails machine is now souped up with a turbocharged rhythmic engine, propelling the hook-filled songs to new levels of raw power, as the band sashays between sleazy punk, frantic krautrock and sardonically sassy grooves. Served on a bed of twangy and fuzzy guitars, primitive synths and polychromatic pop, Mia Lust’s tongue-in-cheek lyrics tackle alienation, the absurd, the human condition, the impending apocalypse and, occasionally, her place in the world as a transgender woman. The band cites their biggest influences as Pixies, Blondie, Oh Sees, Fat White Family and sixties psych and garage punk, but what has always held the whole project together is the endless supply of catchy melodies, delivered with the band’s relentless excitement and energy.
The prolific 4-piece have built up a die-hard following and released five critically-acclaimed DIY records to date, most of which were recorded in heir living room. Their three 6-song EPs and two full-length albums have garnered praise from the likes of Stereogum, DIY Mag and The Line of Best Fit, with four Chemtrails tracks selected as KEXP’s “Song of the Day”. The band has also been noticed by established acts like Dream Wife and Big Joanie, both of whom requested Chemtrails as openers for their Manchester tour dates in 2023.
Their upcoming third album, “The Joy of Sects”, promises to be their boldest yet, as Chemtrails return with a more danceable and rhythm-driven style, armed to the teeth with their trademark fuzzy guitars and playfully sinister melodies. Having worked with producer Margo Broom (Fat White Family, Big Joanie, Goat Girl), this time round the group has traded in the homemade DIY approach for a more hi-fi studio sound, which, thanks to broom’s magic, remains just as raw and wild as ever, but with a whole new level of focus and intensity.
Beachprey, en dynamisk trio der konstant jagter nye idéer, og henter inspiration fra et væld af kilder og støber det sammen til en unik sound, der trækker på punkens rebelske ånd og udforskende natur. De er ikke bange for at udfordre konventionerne og kaster sig modigt ud i eksperimenter for at forme en lyd og et udtryk der er lige dele skramlet, støjet og højt. Deres musik er ikke bundet af en fast formel, i stedet er den en levende organisme der konstant udvikler sig - det er essensen af Beachprey. Siden deres begyndelse i 2022 har trioen brugt utallige aftener på at spille, improvisere og dykke ned i musikkens dybde for at finde deres fælles udtryk. Hvert sekund af sangene er en del af en evig søgen efter det mest originale og intense udtryk. De hviler ikke på laurbærrene og stræber efter at skabe noget, der river lytteren med og efterlader et varigt indtryk.
